Resumé


    Educational Background
  • New York University, Bachelor of Science Degree in Art Education, June 1970
  • Columbia University, Teacher’s College, Master of Arts Degree in Art and Education, December 1973
  • Universita Cattolica di Milano of Rome, Italy, Studies in Italian Renaissance Art & Architecture, Summer 1969 Aegina Arts Centre, Aegina, Greece, Studies in Fine Arts, Music and Greek, Summer 1972
  • Metropolitan Museum of Art, New York City, Spring Workshop in THE ART HERITAGE OF THE SPANISH CARIBBEAN: PRE-COLUMBIAN TO PRESENT, May 1979

    Solo Exhibitions
    2003
  • New Century Artists, Inc., PARFLECHE VISIONS AND MOON BREAST MOTHERS, New York, New York
    1997
  • Bismarck Art Gallery Association, STARBLANKET HEAVEN, Bismarck, North Dakota
    1994
  • Tweed Museum, SHE IS THE FOUR DIRECTIONS, University of Minnesota, Duluth, Minnesota
    1993
  • Gustavus Adolphus College, Schaefer Gallery, DOOR TO HEAVEN-DOOR FROM HEAVEN, St. Peter, Minnesota
    1992
  • Woodland Pattern Gallery, SACRED DOOR, Milwaukee, Wisconsin

    Group Exhibitions
    2009
  • Staten Island Museum, CONTACT 1609, Staten Island, New York
  • Abrazo Interno Gallery, THE IMPORTANCE OF IN/VISIBILITY, New York, New York
    2008-2007
  • Raices Taller 222 Art Gallery & Workshop, ¡FRIJOLITOS!: A SMALL WORKS EXHIBITION Tucson, Arizona
    2006
  • U.S. Department of State Traveling Paper Show VISUAL POWER: 21ST CENTURY NATIVE AMERICAN ARTISTS/INTELLECTUALS, Asia, Europe, Africa and the Americas
  • Pritzker Gallery & Studio Gallery OLD & NEW FRIENDS, Highland, New York
  • Gallery of the American Indian Community House, NEW YORK MIX: ART OF THE FIVE "CIVILIZED" BOROUGHS, New York, New York
    2005-2006
  • Gallery of Ellis Island Immigration Museum, An Artistic Perspective: LADY LIBERTY AS A NATIVE AMERICAN ICON, New York, New York
    2005
  • Honor the Earth, IMPACTED NATIONS (Traveling Show 2005-2008)
    2004
  • Artrain U.S.A., NATIVE VIEWS: INFLUENCES OF MODERN CULTURE (Traveling Show 2004-2007)
    2003
  • Gallery of the American Indian Community House, NATIVE AMERICAN ARTISTS/SCHOLARS: SPEAKING FOR OURSELVES IN THE 21ST CENTURY, New York, New York
    2002
  • The Ned Hatathli Museum, STORIES FROM THE CIRCLE: SCIENCE AND NATIVE WISDOM, Diné College, Tsaile, Arizona
    2002 - 2001
  • Henry Street Settlement Abrons Art Center, WHO IS THE VIRGIN OF GUADALUPE? WOMEN ARTISTS CROSSING BORDERS, New York, New York
    2000
  • Gallery of the American Indian Community House, MOTHER LOVE: NATIVE WOMEN AND THE LAND, New York, New York
    1999 - 1998e
  • Henry Street Settlement Abrons Art Center, METAPHORS: ART INSPIRED BY EVERYDAY OBJECTS AND FOLKLORE, New York, New York
    1997
  • Studio Museum in Harlem, PIECEVVORKS, New York, New York
  • Frasier Gallery, FRIDA KAHLO, MODERN PORTRAITS OF A MODERN ICON, Georgetown, Washington D.C.
  • Purdue University Gallery, VOICES OF COLOR, West Lafayette, Indiana
  • Waldorf Astoria Hotel, AMERICAN INDIAN COLLEGE FUND GALA AUCTION, New York, New York
    1996
  • Two Rivers Gallery, NATIVE SURVIVAL: RESPONSE TO HIV/AIDS, Minneapolis, Minnesota
  • World's Women On-Line CD-ROM produced by Muriel Magenta includes VIRGIN OF GUADALUPE IS THE CORN MOTHER, a multimedia work, Arizona State University, Tempe, Arizona
  • Hartwick College, NATIVE SURVIVAL: RESPONSE TO HIV/AIDS, Oneonta, New York
  • Heard Museum, NATIVE SURVIVAL: RESPONSE TO HIV/AIDS, Phoenix, Arizona
    1995
  • Gallery of the American Indian Community House, NATIVE SURVIVAL: RESPONSE TO HIV/AIDS, New York, New York
  • United Nations Fourth World Conference on Women in Beijing, China, World's Women On-Line coordinated by Muriel Magenta, Visual Arts Coordinator, Institute for Studies in the Arts, Arizona State University, Tempe, Arizona
    1994
  • Art in General, Coast to Coast-Women of Color in the Arts, GATHERING MEDICINE EXHIBITION, Tribeca, New York
  • United Community Center Gallery of the Americas, RETABLOS-LATINO ICONS, Milwaukee, Wisconsin
    1993
  • Talley Gallery of Bemidji State University, VISUAL ARTS FACULTY EXHIBITION, Bemidji, Minnesota
  • Associated Artists of Winston-Salem, EARTH ART--VISIONS AND INTERPRETATIONS OF NATURE THROUGH ENVIRONMENTALLY SENSITIVE ART, Winston-Salem, North Carolina
    1992
  • Talley Gallery of Bemidji State University, VISUAL ARTS FACULTY EXHIBITION, Bemidji, Minnesota
  • Bemidji Community Art Center, MANHATTAN DAYS-- PRAIRIE DAZE, a two person installation/exhibition, Bemidji, Minnesota
    1991
  • Plains Art Museum, ALL OVER THE MAP: WOMEN AND PLACE, Moorhead, Minnesota
    1990
  • Arts in General, Coast to Coast: ANCESTORS KNOWN AND UNKNOWN - BOXWORKS, Tribeca, New York
  • Jamaica Arts Center, Coast to Coast: A NATIONAL WOMEN OF COLOR ARTIST BOOK PROJECT, Jamaica, New York
    1989
  • Center for Book Arts, Coast to Coast: A NATIONAL WOMEN OF COLOR ARTIST BOOK PROJECT, Soho, New York
    1988
  • C.W. Post College, RIDERS WITH NO HORSE, Brookville, New York Diverse Works, Coast to Coast: A NATIONAL WOMEN OF COLOR ARTIST BOOK EXHIBITION, Houston, Texas
    1987
  • Trenton State College, NATIVE AMERICA: LIFE, LEGEND AND ART, Trenton, New Jersey
  • Gallery of the American Indian Community House, RIDERS WITH NO HORSE, Soho, New York
    1986
  • Women's Caucus for Art, THE ARTIST AND THE SPIRITUAL QUEST, Soho, New York
  • Native American Indian Media Corporation traveling exhibit, WE ARE THE SEVENTH GENERATION, Atlanta, Georgia
    1984
  • Artistas Indigenas Traveling Exhibit, Portland, Oregon
    1983
  • Twenty Six Horses Gallery, Soho, New York
  • Midtown Gallery, Washington, D.C.
    1982
  • Gallery of the American Indian Community House, NATIVE WOMEN ARTISTS, Soho, New York
  • New York University Contemporary Art Gallery, NATIVE AMERICANS, THE WOMEN AND THEIR ART, New York, New York
  • Atrium Gallery, the Kennedy Center, NIGHT OF THE FIRST AMERICANS, Washington, D.C.
  • Gallery for the American Indian Community House, FOUR DIRECTIONS, Soho, New York
  • Gallery of the 21st Century, Santa Fe, New Mexico
  • Native American Rights Fund Annual Show, VISIONS OF THE EARTH, Boulder, Colorado
  • Gallery of the American Indian Community House, A SONG FOR OUR ANCESTORS, Soho, New York
    1981
  • Gallery of the American Indian Community House, INVITATIONAL 81, Soho, New York
  • Westbeth Gallery, VOICES EXPRESSING WHAT IS: ACTION AGAINST RACISM IN THE ARTS, New York, New York
  • Native American Center for the Living Arts, AT THE EDGE OF THE WOODLANDS, Niagara Falls, New York
  • Museum of the American Indian, SO THE SPIRIT FLOWS, New York, New York
    1980
  • Via Gambaro Gallery, NATIONAL AMERICAN INDIAN WOMEN'S ART SHOW, Washington, D.C.
    1979
  • Gallery of the American Indian Community House, INVITATIONAL 79, Soho, New York

    Guest Curator
    2007
  • Longwood Gallery@Hostos, THE FORT APACHE CONNECTION, Bronx, New York
    2006
  • Gallery of the American Indian Community House, FROM MANHATTAN TO MENATAY, New York, New York
    2006 - 2005e
  • Ellis Island Immigration Museum, An Artistic Perspective: LADY LIBERTY AS A NATIVE AMERICAN ICON, Ellis Island, New York
    2003
  • Gallery of the American Indian Community House, LADY LIBERTY AS A NATIVE AMERICAN ICON, New York, New York
    2002 - 2001
  • Henry Street Settlement Abrons Art Center, WHO IS THE VIRGIN OF GUADALUPE? WOMEN ARTISTS CROSSING BORDERS, New York, New York
    1991
  • Bemidji State University, COLLECTIVE VOICES, an improvisational installation of work by women, Bemidji, Minnesota
    1984
  • Greene County Council on the Arts, SHE HOLDS HER OWN: TRANSITIONS AND TRADITIONS OF NATIVE AMERICAN WOMEN ARTISTS, Catskill, New York
  • The NYU Contemporary Arts Gallery, NATIVE AMERICANS: THE WOMEN AND THEIR ART, New York, New York

    Publications
  • EARTH SONGS, MOON DREAMS: PAINTINGS BY AMERICAN INDIAN WOMEN by Patricia Janis Broder, St. Martins Press
  • THE AMERICAN WEST: THE MODERN VISION by Patricia Janis Broder, New York Graphic Society & Little, Brown and Company
  • FIRE IN THE WOMB: MOTHERS & CREATIVITY by Anderson & Smith-Hanssen, Xlibris Press
  • VOICES OF COLOR: ART AND SOCIETY IN THE AMERICAS by Phoebe Farris-Dufrene